Deep Cut Pick

In this final Kiyoshi Kurosawa episode, Wilson brings to the table one of the latest films from the Japanese auteur; the Uzbekistan set To the Ends of the Earth.

In this episode, we’re laughing and crying to the sweet melodies of Kiyoshi Kurosawa’s 2008 film Tokyo Sonata, and its social commentary on the Japanese nuclear family in the midst of a financial crisis.

Unlock the forbidden recording room with Wilson, Ben and Eli as the trio unpack Kiyoshi Kurosawa’s 2001 ghost film Pulse.

In the first of our deep cut picks for our Kurosawa series, Ben introduces the others to Kurosawa’s License to Live (1998) because he really needed to talk to somebody after a stunning ending.

Join us for a Deep Cut episode on the exceptional 1982 film Moral from director Marilou Diaz-Abaya.

We conclude our series on Miranda July's filmography with her divisive sophomore feature, The Future.

We continue our journey through Miranda July's filmography with her debut feature, Me and You and Everyone We Know.

How does the king of beeg cinema go small? Trick question, he don’t! Small in scope but still big on imagination, we’re (mostly) abuzz with praise for Wilson’s Deep Cut pick for Rajamouli, 2012’s Eega.

Deep Cut rounds out its study of Malian/Mauritanian master director Abderrahmane Sissako with his first two fiction features: Life on Earth (1998) and Waiting for Happiness (2002).